ID3vTIT2De Stijl, une avant-garde du XXe sicle : ouverture. Qu'est-ce que le noplasticisme ?TPE1CLemonier Aurlien, Bazin PatrickTYER 2011TCONColloqueTCOPCreative Commons : Paternit, Pas d'Utilisation Commerciale, Pas de Modification - Produit par la BPICOMMengCreative Commons : Paternit, Pas d'Utilisation Commerciale, Pas de Modification - Produit par la BPI - Le directeur de la Bpi prsente le colloque consacr au mouvement De Stijl. Il donne lecture du texte d'ouverture prpar par Alain Seban qui n'a pu se librer pour assister au colloque. Aurlien Lemonier introduit ensuite la problmatique "Qu'est-ce que le noplasticisme ?".TENC#Opsis by OpsomaiTIT3De Stijl, une avant-garde du XXe sicle : ouverture. 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Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXTAGDe Stijl, une avant-garde du XSeban Alain, White Michal, Wi2011Le mouvement d'avant-garde neAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White MichaëlAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White MichaëlAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White MichaëlAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White MichaëlAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White MichaëlAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White MichaëlAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White MichaëlAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White MichaëlAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White Michaël, Wieczorek Marek, Lemonier Aurélien, Jubert Roxanne, Michaud Philippe-Alain, Guillaume Valérie, Parent Claude, Rutault ClaudeYEAR2011GENREColloqueCOMMENTLe mouvement d’avant-garde néerlandais De Stijl (Le Style) constitue une clef de lecture essentielle pour la compréhension des sources de la modernité. Créé en 1917 avec la revue De Stijl qui en diffusera la doctrine jusqu’en 1931, le mouvement s’organise autour de deux figures emblématiques, les peintres Theo van Doesburg qui en est le chef de file et Piet Mondrian, pionnier de la peinture abstraite, principal théoricien du groupe. Font également partie du noyau originel les architectes Gerrit Rietveld, J. J. P. Oud, Jan Wills, Robert van’t Hoff, les peintres Bart van der Leck, Georges Vantongerloo et Vilmos Huszár, le poète Antony Kok rejoints ensuite par le graphiste Piet Zwart et l’architecte Cornelius van Eesteren. Ce colloque a pour but de donner à mieux comprendre ce que fut cette nouvelle figuration du monde transformée en projet de société et en quoi l’esthétique de ses créations, après avoir marqué le siècle passé, continue à inspirer des créateurs contemporains.ENCODED_BYOpsis by Opsomai(SUBTITLEDe Stijl, une avant-garde du XXe siècle'URL_FILEhttp://archives-sonores.bpi.fr/doc=3348APETAGEXAPETAGEX(TITLEDe Stijl, une avant-garde du XXe siècleARTISTSeban Alain, White MichaëlAPETAGEX XTITLEDe Stijl, une avant-garde du XXe siècle : ouverture. Qu'est-ce que le néoplasticisme ?!ARTISTLemonier Aurélien, Bazin PatrickYEAR2011GENREColloqueDESCRIPTIONLe directeur de la Bpi présente le colloque consacré au mouvement De Stijl. Il donne lecture du texte d'ouverture préparé par Alain Seban qui n'a pu se libérer pour assister au colloque. Aurélien Lemonier introduit ensuite la problématique "Qu'est-ce que le néoplasticisme ?".fCOPYRIGHTCreative Commons : Paternité, Pas d'Utilisation Commerciale, Pas de Modification - Produit par la BPICOMMENTCreative Commons : Paternité, Pas d'Utilisation Commerciale, Pas de Modification - Produit par la BPI - Le directeur de la Bpi présente le colloque consacré au mouvement De Stijl. Il donne lecture du texte d'ouverture préparé par Alain Seban qui n'a pu se libérer pour assister au colloque. Aurélien Lemonier introduit ensuite la problématique "Qu'est-ce que le néoplasticisme ?".ENCODED_BYOpsis by OpsomaiXSUBTITLEDe Stijl, une avant-garde du XXe siècle : ouverture. Qu'est-ce que le néoplasticisme ?'URL_FILEhttp://archives-sonores.bpi.fr/doc=3370APETAGEX TAGDe Stijl, une avant-garde du XLemonier Aurlien, Bazin Patri2011Creative Commons : Paternit,